Critic Choice Awards nominations Guillermo del Toro

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With historic nominations marked by firsts, volume, and geographic reach, from Mexico to Argentina, the 2026 Oscar nominations signaled the end of an era in which Latino artists appeared at the Academy Awards as footnotes, a lone nomination here, an isolated win there.

This year, that pattern collapsed.

The nominations announced by the Academy did more than stack individual records. They confirmed something Hollywood had long resisted acknowledging. Latino presence at the Oscars is no longer rare. It is consistent.

Across acting, producing, animation, international cinema, and technical design, Latino talent crossed borders, genres, and categories. This is not the story of a single country or a single breakout name, but of a generation finally occupying the space it earned long ago.

Mexico Makes History

One of the most visible faces of this transformation is Guillermo del Toro. With Frankenstein, the Mexican filmmaker solidifies his status as the most nominated Latino producer in Oscar history. While he missed a directing nomination this time, his presence underscores a larger truth. Del Toro no longer enters the system. He sustains it.

Del Toro now holds seven individual Oscar nominations, while his films, including Frankenstein, have accumulated 25 total nominations across Academy categories. His evolution from outsider to institution reflects the broader shift Latino creators are experiencing inside Hollywood's most exclusive space.

Colombia, Puerto Rico, and Brazil Leave Their Mark

Latino continuity at the Oscars is also embodied by Benicio del Toro, who adds another nomination and strengthens his standing as the most consistently recognized Latino actor in the supporting category. From his Oscar win for Traffic to his nomination for 21 Grams, his career remains one of the Academy's most enduring Latino success stories.

Brazil delivered one of the most talked about breakthroughs of the season. Wagner Moura made history as the first Brazilian nominated for Best Actor for his performance in The Secret Agent, becoming only the sixth Latino ever recognized in that category. His nomination builds on the legacy of Fernanda Montenegro and Fernanda Torres, expanding a presence that for decades remained minimal.

The Secret Agent wins Best Foreign Language Film at the 2026 Critics' Choice Awards

Brazil's momentum continued with nominations for filmmaker Kleber Mendonça Filho and cinematographer Adolpho Veloso, recognized this year for Train Dreams.

From Colombia, producer Juan Arredondo, based in France, earned a nomination for Little Amélie in the Best Documentary Short category, reinforcing Latin America's expanding footprint beyond traditional feature films.

Latina Women Redefine the Oscar Narrative

In animation, Latino progress continued with Yvett Merino, the first Latina ever nominated in the category for Encanto. She returned this year with her second nomination for Zootopia 2. The sequel not only dominated awards season, but it also grossed $1.7 billion worldwide, becoming the highest-grossing animated film in Hollywood history.

One of the most consequential milestones, however, happened far from the spotlight categories. Costume designer Florencia Martín, daughter of Argentine parents, made history by winning the Oscar for Black Panther: Wakanda Forever. She became the first Latina ever to win in the costume design category, opening a door that had remained closed to Latina creatives in technical disciplines for decades.

A New Normal Takes Shape

Taken together, the 2026 Oscar season is not an anomaly. It is the confirmation of a shift already underway.

Latinos no longer appear at the Academy Awards as occasional guests. They arrive as recurring protagonists, shaping cinema across genres, languages, and crafts. And this moment does not feel temporary. It reads like the beginning of a new normal, one in which Latino talent is not celebrated as an exception, but recognized as an essential part of Hollywood's creative core.

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